千陽
影片信息
- 狀態(tài)：HD
- 主演：Magaye Niang
- 導演：瑪緹·迪歐普
- 年份：2013
- 地區(qū)：法國
- 類型：記錄/
- 時長：內(nèi)詳
- 上映：未知
- 語言：其它
- 更新：2025-04-17 22:10
- 評分：4.0 分
- 簡介： The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
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劇情簡介
The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
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評論
共 619 條評論-
rainray 215.83.80.226本來不想去看，認為文藝裝不值票價。出乎預料居然樂了，鐘漢良出戲必備。賈樟柯是亮點，從天注定里的浪客華麗麗地變身仙人跳主謀，鏡頭從下風衣往上一張胖臉，教訓完小青年后發(fā)現(xiàn)衣角被夾，霸氣十足立馬側(cè)漏疲軟，荒誕而有喜感。最東到最西發(fā)配，露出沖動消費的汽車，一看就是西游記，果然女兒情出現(xiàn)了 -
小白鴿O╯▽╰O 190.38.89.247大爛片。根本不叫電影。呆萌的幼年阿拉斯加是支撐我看完全片的唯一理由 -
Giney 181.147.38.98平平淡淡的訴說線，道出了一代人的苦楚 -
垣原陣希望 149.245.43.7590后說話不是這個調(diào)調(diào)的，我證明。一星給美術(shù)設(shè)計和把上海拍得挺美的。一星給部分鏡頭的調(diào)度，包括楊冪進入老場坊的2分半的航拍長鏡頭?？偙O(jiān)制總策劃的一幫子人片頭出現(xiàn)過了片尾還要上，是不是有點太要了？ -
Nymphe 241.64.194.75莫名其妙