一切安好2022
影片信息
- 狀態(tài)：HD
- 主演：未知
- 導(dǎo)演：潘禮德
- 年份：2022
- 地區(qū)：其它
- 類型：海外動漫/
- 時長：內(nèi)詳
- 上映：未知
- 語言：法語
- 更新：2025-04-17 17:42
- 評分：5.0 分
- 簡介： A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
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關(guān)注公眾號觀影不迷路
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掃一掃用手機(jī)訪問
劇情簡介
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
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評論
共 412 條評論-
山月不知心底事 155.165.136.132年輕的時候還摘抄過一些書上的句子。。小耳朵后期是多么驚艷又勇敢，影片誰誰都不出彩，剪輯得一塌糊涂，喜歡的場面一個都沒有，失望！ -
小蘑菇_blue 99.137.214.223馬思純的小耳朵很古靈精怪 和小說里的比較接近~ -
豆蔻十三弦 227.221.101.44兩星給蘇有朋的態(tài)度，陳都靈加楊洋的顏值共用一星，作為一個九零后真心無法理解饒雪漫的小說，鄉(xiāng)非氣息太明顯，表示她的小說大多看不下去，原著的低檔次就決定了這部電影好不起來。 -
禁用藥品 197.61.201.163演員都是新人，演技臺詞什么的，有點生硬，但不至于那些假裝有逼格的人說的那么差，楊洋帥一臉。一星給五阿哥和小燕子烙印的童年。一星給楊洋，許弋活了。一星給雖然刪減但大致還原的劇情。一星給攝影和音樂。 -
memory27 19.44.59.177我們小時候就是這個樣子的，旁觀者看覺得過得真無聊。乏味不精彩，所以不喜歡。